[105] The film appeared on several US critics' lists of best films of the year. The majority of the music in the film was composed by Roy Budd, a jazz pianist and composer, who had previously worked on soundtracks for Soldier Blue and Flight of the Doves. The film's music also enjoyed its own resurgence in popularity, as it tapped into a 1990s interest in vintage film soundtracks. Based on Ted Lewis' 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his home town in north-east England to discover more about his brother Frank's supposedly accidental death. When his brother is killed in an accident, cold-blooded gun for hire Jack Carter (Sylvester Stallone) returns home to make peace with his past. Hodges promised he would make it up to him and cast him in Carter, but his name was missed off some of the original prints. Jack bursts in on Kinnear, who is playing poker, but learns little from him; he also meets a glamorous drunken woman, Glenda (Geraldine Moffat). With Michael Caine, Ian Hendry, Britt Ekland, John Osborne. He suggested Hodges use John Trumper as editor. [34] However, in his DVD commentary Hodges implies that he did not see Carter as morally any more justified than those he kills, and his death is intended to present his actions to the audience as morally bankrupt and futile: "I wanted him to be dealt with in exactly the same way he dealt with other people. He found Carter's motivations were inconsistent, either being an avenging angel or an "authentic post-permissive anti-hero, revelling in the casual sadism". [118] It was so badly received on its US release that Warner Bros. decided not to give it a UK theatrical release, anticipating the film would be savaged by British critics and fans. [92] In Sight and Sound, Tom Milne said the film was well-constructed and had good characterisation, but lacked the mystery and charisma of the earlier American crime films it attempted to emulate. He telephones Kinnear in the middle of a wild party, telling him he has the film and makes a deal for Kinnear to give him Eric in exchange for his silence. The key to the success of Get Carter is the way in which the movie immediately engages the audience and fosters a relationship with it based upon perception, which, in the first instance, is always the key to the bond between viewer and director. [58] Films such as The Long Good Friday, Face and Lock, Stock and Two Smoking Barrels borrow from the Carter blueprint. [104] However, Jay Cocks writing in Time was disparaging, calling the film "a doggedly nasty piece of business" and comparing it unfavourably to Point Blank. He's tough and ruthless, but very quiet and charged with a terrible irony". Disaster in a New York tunnel as explosions collapse both ends of it. Framed by their ruthless arch-nemesis, a mismatched LAPD crime-fighting duo has to put its differences aside to even the score with the evil kingpin who put them behind bars once and for all. Rated R for violence, language, some sexuality and drug content, Stephen Dorff & Darren Mann in Mma Film 'Embattled' Official Trailer, Producer-Writer David McKenna Inks With APA, Rachael Leigh Cook on Producing Her Own Netflix Rom-Com, 21 Years After ‘She’s All That’, Favorite Movies that were released in 2000. From $17.99. Initial UK critical reception to the film was mixed; reviewers grudgingly appreciated the film's technical achievements but were dismayed by the complex plot, violence and amorality, in particular Carter's apparent lack of remorse at his actions. [78] It was also re-released in Germany and Greece in 2000 and in France in 2004. White had a successful career as a television actress and was particularly well known for, This page was last edited on 17 January 2021, at 07:48. [58] Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the focus puller ruined his first take. Get Carter is a 1971 British crime film written and directed by Mike Hodges and starring Michael Caine, Ian Hendry,[3] Britt Ekland, John Osborne and Bryan Mosley. Bundles containing this item. [42] Hodges described how wandering alone through the upper structure, he realised how the different levels could be used to reveal the hunter, Carter, and the hunted, Brumby, simultaneously but without either being aware of the other – adding to the suspense. Keep track of everything you watch; tell your friends. [109], At the time of its release, the only recognition the film received was a 1972 BAFTA Awards nomination for Ian Hendry as Best Supporting Actor. [115] Mickey Rourke plays the villain Cyrus Paice. [38] He also dispensed with flashbacks to Carter's youth featured in the novel which explored his relationship with his brother Frank, streamlining the plot to a linear narrative spanning a single weekend. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Klinger was invited to view a first print of Peter Walker's Man of Violence (1969) and was unimpressed, telling the director "I'm going to make a gangster film, but it's going to cost a lot more than this and it's going to be better". [108] In 2003 Steve Chibnall observed a large gender imbalance in voting on the film up to April 2002, with less than 6% of votes cast (where the voters gave their gender) by women (53 out of 947). [30] Klinger had seen Mike Hodges' television film Suspect (1969) and immediately decided he was the ideal candidate to direct his new project. One hero tries to help the people inside find their way to safety. Caine apologised immediately. [86], Warner Bros. reissued the film in a special edition on DVD in October 2000 in its original 1.85:1 aspect ratio. He then calls the police to raid Kinnear's party. Hodges said he was influenced in his writing by the works of Raymond Chandler and Hollywood B-movies such as Kiss Me Deadly, because they showed "how to use the crime story as an autopsy on society's ills". 11 July 2012. [108], Get Carter was a financial success, and according to Steve Chibnall its box office takings were "very respectable". The remake was compared unfavourably to the original by the majority of reviewers. BB Davis & the Red Orchidstra released a version of the film's title theme in 1999. 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